Along with almost everybody else, I greeted the relaxing of COVID restrictions with enthusiasm. Even more exciting was that at long last I had the opportunity to see live theatre again in the form of Metro Theatre’s production of Nunsense.
This was especially enjoyable as the theatre, located at 1370 Marine Drive SW in Vancouver, allowed the audience (all of whom had to provide proof of vaccination) to choose whether to don masks so that I no longer had to deal with the challenge of steamed-up glasses.
Yet more exciting was that this charming musical is a rich and happy production.
Many readers may be familiar with Nunsense, which has enjoyed lasting popularity. Based on the idea that five nuns have to raise money and are embroiled in an unlikely predicament (to say more would be a plot spoiler), the show is a lighthearted look at what was once standard convent life.
The story provides the opportunity to take some gently good-natured satirical looks at a (sadly) almost vanished Catholicism – one which will bring back many fond memories to people of a certain age. However, people of all generations will doubtless enjoy the revelations and antics of the five characters, especially as the production team has included some contemporary comedic notes.

As the nuns reveal the careers they abandoned to enter a religious order, the opportunity arises for the show to explore a variety of musical genres with great good humour including brassy Broadway showstoppers, country music, and a superbly performed puppet act. The many pleasant and tuneful songs offer the opportunity for much creative well-conceived and -executed choreography, as well as some good-natured audience participation.
Imaginatively and cleverly directed, Nunsense is blessed by its cast of five enormously talented actresses, who not only can explore a wide-ranging comic talent, but can also dance well and sing superbly – all with unflagging and abundant energy.
Their infectious enthusiasm and wonderful performance ability make of this delightful show a truly rewarding evening of entertainment. It will have, as indicated, a special appeal to those who were blessed by being educated by “the good Sisters” but will also be enjoyed by everyone who hasn’t.
Nunsense provides a delightful opportunity for all to return to the rewards of live theatre. Running until March 27, it demands that everyone meet with enthusiasm this opportunity to return to an approximation of “normalcy” and rush to get tickets immediately.
