Canadian artist’s reconciliation piece to be unveiled on papal visit 

Canadian sculptor Timothy Schmalz didn’t originally intend his latest creation, Mary, Untier of Knots, to be his artistic muse and to symbolically represent ongoing truth and reconciliation efforts in Canada.

For that he was thinking of another sculpture, entitled Residential School, that he sculpted nearly a year ago. The rendering is of a traditional residential school classroom with a lone Indigenous girl sitting at one of 14 desks – representing Canada, each province and territory – resting her head with a feather in her hand, signifying the solitary and sorrowful experience many Indigenous students internalized while attending these institutions.

While he appreciated the opportunity to construct this “haunting piece,” Schmalz said a more hopeful sculpture was befitting of the historic occasion of Pope Francis’ visit to Canada later this month.

“I wanted it to be equally about Pope Francis, as well as the reason why he is coming here,” said Schmalz. “Believe it or not, nothing suited this event or moment more than his devotion to Mary, Untier of Knots. I felt that was absolutely fantastic because there you have his favourite devotion of Mary being put into action and he is in action.”

The St. Jacob’s, Ont., artist is perhaps best known for his Homeless Jesus and Angels Unawares, both of which are on display in Rome and other locales around the world including Holy Rosary Cathedral in Vancouver. He recently finalized the sculpture he was commissioned to create for the Pope’s July 24-30 visit when he is expected to apologize for the Church’s role in past wrongs done to Canada’s Indigenous peoples).

Details are yet to be finalized about how Schmalz’ work will be unveiled during the Alberta leg of the papal visit, but it will have a permanent home afterwards at the Skaro Shrine to the Blessed Virgin Mary, an hour northeast of Edmonton.

Schmalz shared his thoughts about how he hopes Canada’s Indigenous communities receive Mary, Untier of Knots (or Mary Undoer of Knots), a tribute to the Baroque painting and Marian devotion.

“This sculpture is approaching the problems of the world historically and today face-to-face. The first thing we must do is recognize these problems. To have the sculpture of the world wrapped up in knots is a visual acknowledgement through symbolism. The residential school past can be interpreted as a knot,” he said.

“But it is surrounded by hope too. The world is tangled up in knots, but you have two angels and the symbolism of Catholicism in a sense, Mary, with a brooding face trying to remove these problems. The Indigenous problem is here. This sculpture boldly faces it. It’s not cookies and cream. It’s not sugar coated. It puts it front and centre.”

Schmalz’s latest work actually features knotted ribbons that can be untied. The plan is for Pope Francis to untie one of these knots as he appears with the statue. When it is on display at Skaro, visitors can come to this holy site and interactively untie a knot themselves as a prayer for God to heal the world and to ease the burden and strife in that individual’s life.

The ribbon streams out of the globe and hands of the two angels – Tobias and Raphael – bowing down to Mary, the Mother of God. A dove, a symbol of peace, appears over the halo of Mary to signify the Holy Spirit. A serpent is also shown being crushed beneath her feet. Schmalz chose the globe as he knows Pope Francis views unity and peace as a key global mission.

One of the most striking features of Schmalz’s work is the resolute facial expression of Mary as she works to undo a knot, which is clay in this case.

“Unlike many of the Mary statues and artistic works throughout the century, she doesn’t have that photo-ready smile,” said Schmalz. “There is a tension there. She is intent on removing these knots. When I was working on this piece I did not want a syrupy, smiley Mary. I wanted feminine, but also involved and concerned. The look on her face shows she is giving an intense effort to untie these knots all around us and our globe.”

Ultimately, Schmalz would hope whenever Indigenous peoples see this sculpture they think about how Pope Francis, particularly at this time when he has trouble moving and is cancelling events due to health issues, “had the authentic concern to be here.” Also, that this trip is not “a whim” but a journey “reflecting the hard-core values of this Pope.”

Schmalz said he intends to be on hand at the unveiling, but purely as a spectator to witness history.

The sculpture is the second by Schmalz in recent months. In May he unveiled Life Monument, a sculpture depicting the Blessed Virgin Mary with the unborn Christ Child.

“This sculpture, I found, was very, very exciting for me to create,” Schmalz said in an interview with Vatican Radio. He said he was inspired by Dostoevsky’s quote “Beauty will save the world.”

“I realized,” said Schmalz, “that it might be an interesting project if I could create one of the most beautiful, life-affirming sculptures possible, a pro-life statue, that is all about the hope that beauty can save life.”

Much of Schmalz’ artwork focuses on timely issues of social justice, including homelessness, migration, and human trafficking. “All these pieces are bringing attention to, I feel, issues that need to be expressed in artwork,” Schmalz said. “And so the idea of the sacredness of life seemed to be a natural flow from those projects to the Madonna and Child, the Monument to Life with the child still in the womb.”

Schmalz said he believes in the power of art, when it’s at its best, “to create awareness in a very subtle and beautiful way to a whole society.” He emphasized the importance of creating art, not for its own sake, but for God’s sake, and to use art “to bring out issues that are oftentimes invisible, like the idea of the fetus in the womb.” So, he said, “to create this piece, to have it right in the centre of Rome and also in other places, hopefully, will do a great job in bringing awareness of the beauty and sacredness of life.”

The new statue, donated by the Movimento Per la Vita Italiano (“Italian Movement for Life”) was blessed in Rome by Archbishop Vincenzo Paglia, president of the Pontifical Academy for Life, and installed in San Marcello al Corso church. A sister sculpture will be permanently installed in Washington, D.C., after short stays in several other U.S. cities.

The Catholic Register with Vatican News files

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